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God in the Regency ~ Part Two ~ Guest Post by Regan Walker

Regency Reflections is excited to welcome Regan Walker. Over the next three days we will be sharing a paper Regan wrote entitled “God in the Regency”. This three part series will give you a terrific overview of the religious environment and shifts in the Regency period. 

Part One posted yesterday. Read it here

Regency England (and the 19th Century)

Against this background, we emerge into Regency England (1811-1820, extending to 1837 if we consider the larger “Regency Era,” ending when Queen Victoria succeeded William IV). During this period, the religious landscape consisted of the Anglican Church of England, which occupied the predominant ground (though the Evangelicals continued to dominate the Church in the first half of the 19th century), and those considered “Dissenters,” a general term that included non-conformist Protestants, Presbyterians (identified with the Scots), Baptists, Jews, Roman Catholics and Quakers. The Protestants moved toward the Methodist and Evangelical perspective, and a personal conversion experience. The Roman Catholics, governed by the Pope in Rome, though discriminated against, were too strong to be suppressed and persisted, eventually regaining the ability to become Members of Parliament and hold public office with The Catholic Emancipation Act in 1829. (Ironically, the Prince Regent opposed Catholic Emancipation even though Maria Fitzherbert, a twice-widowed Roman Catholic, was arguably the love of his life.)

There were many incentives to be a part of the Church of England because it was government controlled and sponsored. Only Anglicans could attend Oxford or receive degrees from Cambridge. Except for the Jews and Quakers (the latter which received freedom of worship in 1813), all marriages and baptisms had to take place in an Anglican church. All citizens, no matter their faith, paid taxes to maintain the parish churches, and non-Anglicans were prevented from taking many government and military posts.

According to Henry Wakeman in An Introduction to the History of the Church of England, by the time George III died in 1820, despite all that occurred in the 18th century with the Evangelical and Methodist revivals, with a few exceptions (some discussed in this article), the Church of England was not materially different than it was when George III came to the throne in 1760.

The bishops were still amiable scholars who lived in dignified ease apart from their clergy, attended the king’s levee regularly, voted steadily in Parliament for the party of the minister who had appointed them, entertained the country gentry when Parliament was not sitting, wrote learned books on points of classical scholarship, and occasionally were seen driving in state through the muddy country roads on their way to the chief towns of their dioceses to hold a confirmation. Of spiritual leadership they had but little idea. (Wakeman at 457)

Jane Austen wrote about the world of the Anglican clergy. Her father was the Reverend George Austen, a pastor who encouraged his daughter in her love of reading and writing. (In addition to her novels, Jane Austen composed evening prayers for her father’s services.) She also had other relatives, including two of her brothers, who were among the Anglican clergy. It was a culture in which faith often influenced one’s livelihood. Some of Austen’s characters (i.e., Edward Ferrars and Edmund Bertram) were clergy in need of parsonages. It was an acceptable occupation for a younger son. Large landowners and peers owned many of the church appointments and could appoint the local clergyman.

Of the Anglican clergy, Wakeman said,

The bulk of the English clergy then as ever were educated, refined, generous, God-fearing men, who lived lives of simple piety and plain duty, respected by their people for the friendly help and wise counsel and open purse which were ever at the disposal of the poor.

 

A few of them hunted, shot, fished and drank or gambled during the week like their friends in the army or at the bar, and mumbled through a perfunctory service in church on Sundays unterrified by the thought of archdeacon or bishop. Some of them, where there was no residence in the parish, lived an idle and often vicious life at a neighbouring town, and only visited their parishes when they rode over on Sundays to conduct the necessary services. (Wakeman at 459)

 

[With few exceptions] the clergy held and taught a negative and cold Protestantism deadening to the imagination, studiously repressive to the emotions, and based on principles which found little sanction either in reason or in history. The laity willingly accepted it, as it made so little demand upon their conscience, so little claim upon their life. (Wakeman at 461)

Wakeman recognized the indifference of the Church of England to the “tearing away” of the followers of Whitefield and Wesley:

An earnest revival of personal religion had deeply affected some sections of English society. Yet…the Church of England reared her impassive front…sublime in her apathy, unchanged and apparently unchangeable….

 

Jane Austen
Jane Austen

Unlike some Anglicans, who may have attended church only out of duty or habit, Jane Austen was more than a nominal church member. From the prayers she wrote, she seems to have been a devout believer who accepted the Anglican faith as it was, though she disliked hypocrisy and that may be reflected in some of her clergyman characters. She also had views on the Evangelicals. In a letter to her sister Cassandra, written on January 24, 1809, she admitted, “I do not like the Evangelicals.” Like many Anglicans, she likely felt faith was to be unemotional and demonstrated in observances of certain services, prayers and moral teachings. The demonstrative preaching and strong message of the Evangelicals, particularly their enthusiasm and fervor, might not appeal to a girl raised in an Anglican minister’s home. Then, too, she had experience with certain Evangelicals, notably her cousin Edward Cooper, who she observed in a letter to her sister, wrote “cruel letters of comfort.” (It is very human, is it not, to judge a movement by the few persons we may know within it?) However, as she grew older, there is some indication of a softening in her thinking. On November 18, 1814, Austen wrote a letter to her niece, Fanny Knight, in which she said, “I am by no means convinced that we ought not all to be Evangelicals, & am at least persuaded that they who are so from Reason & Feeling, must be happiest & safest.”

Perhaps as Austen viewed the decadence of the Regency period (particularly the social life in London), the indulgences of her monarch, and the lackluster faith of some who adhered to the Church of England out of habit, she found value in the sincerity of those who espoused a more evangelical message. It was, after all, the Evangelicals led by William Wilberforce, allied with the Quakers that became the champions of the anti-slavery movement, resulting in the Act for the Abolition of the Slave Trade in 1807. Among Jane Austen’s favorite writers were those who were passionately anti-slavery, such as William Cowper, Doctor Johnson and Thomas Clarkson. One of her naval brothers, Frank, after a visit to Antigua in 1806, wrote home condemning slavery.

Prince Regent, later George IV
Prince Regent, later George IV

Austen was critical of the Prince Regent, understandably so. Unlike his parents, George III and Queen Charlotte, the Prince Regent lived a decadent life, indulging in his personal pleasure devoid of any evidence of a strong faith, or indeed any faith at all, though he was nominally the head of the Church of England. As a result of the tax burden from the wars in France and the Prince’s opulent lifestyle that was crushing the poor and working classes, the resentment for the Prince grew more strident as time went on. Jane Austen disliked him intensely, principally because of his treatment of his wife, Princess Caroline of Brunswick (as seen in her letter to Martha Lloyd of February 16, 1813). She was not pleased when it was “suggested” she dedicate her novel Emma to him in 1816, though she did so for marketing reasons.

George Whitefield preaching
George Whitefield preaching

In at least some parts of the Church of England during the Regency, spiritual change was afoot continuing from the movements in the 18th century. In such places, the Church of England looked more like the Protestant Evangelicals. For example, Charles Simeon, rector of Trinity Church, Cambridge for 54 years (1782-1836), and a member of the Clapham group, was a great Bible expositor, who taught a risen Savior and salvation through grace, sounding very much like Wesley and Whitefield decades earlier. That was no mean feat given the opposition he faced in Cambridge. The universities were bastions of the established Church of England and seedbeds of rationalism, neither of which made them sympathetic to a rector of strong religious fervor.

Anglicans distinguished between the “High Church” and the “Low Church.” The High Church or “Orthodox” church, associated with the Tories, was content with the state’s involvement in religious matters and associated itself with the court and courtiers and emphasized the rituals of the church and the Common Book of Prayer. The Low Church, associated with the Whigs and with Cambridge, and before they broke off, with the Methodists, presented a middle ground where faith was tolerant, rational and low-key. To the Low Church, the Bible was all-important and the Book of Common Prayer considered merely a human invention that could be adapted and changed. To those in the Anglican High Church, Low Church members, like Charles Simeon, were merely “Dissenters in disguise.” The Evangelicals were opposed by both the High and Low Church of the Anglicans, particularly because of their enthusiasm (their fervor raised the specter of the troubles in France). Because of their strong stance on moral issues, the Evangelicals of that day were also viewed by some as troublemakers who didn’t want anyone to have any fun. Notwithstanding such views, there were those in the aristocracy, including the William Cavendish, the 6th Duke of Devonshire, who became Evangelicals though they never left the Anglican church.

One effect of the Methodist and Evangelical influences, begun in the 18th century and continued in the Regency, was the growth in foreign missions, as Christians went to other parts of the world to spread the “good news.” There were many English men and women whose newfound faith compelled them to accept the challenge for the cause of the gospel. Missionary societies, initially viewed with disfavor by the established church, gained in prominence in the 19th century.

Charles Simeon
Charles Simeon

Charles Simeon was one of those clergymen in the Church of England who was interested in missions and spreading the Bible’s message around the world. He took a special interest in India and sent his former assistants as chaplains with the British East India Company. Henry Martyn may be the most famous of those assistants. He served in India and Persia from 1806 until his death in 1812, and during those few years, translated the New Testament into Persian, Urdu and Judaeo-Persic. He influenced young people for generations to go to the mission field and is remembered as saying, “The spirit of Christ is the spirit of missions. The nearer we get to Him, the more intensely missionary we become.” Such a faith was not one of ritual or habit but a faith that moved one to action and personal sacrifice.

God in the Regency will continue with part 3 tomorrow.

After years of practicing law in both the private sector and government, and traveling to over 40 countries, Regan has returned to her love of telling stories. She writes mainlineRegency romances, her first is Racing With The Wind, set in London and Paris in1816, and features spies and intrigue as well as a smart, independent heroine and a handsome British lord–lots of adventure as well as love! It’s the first in her Agents of the Crown trilogy. For more, see her website:  http://www.reganwalkerauthor.com.

Originally posted 2012-10-25 10:00:00.

Poets of the Regency: George Gordon, Lord Byron

We return to the library of our typical Regency gentleman in order to take one of the most scandalous volumes off of its shelf: the poetry of Lord Byron.

Byron is the archetype of an eponymous sort of Regency hero – the sort that is, in the words of his contemporary and sometimes-lover Lady Caroline Lamb: “Mad – bad – and dangerous to know”.  You want brooding? You want scandalous? You want the dark and handsome hero who just might be too depraved to be redeemed? Meet George Gordon, Lord Byron.

 

 

 

As a  boy, Byron suffered what would now be called child abuse and grew up, sadly, to repeat the pattern. He’s such a legendary figure that it’s hard, even now, to be sure exactly which stories about him are true and which aren’t, but he treated his wife badly, conducted numerous affairs – possibly with both men and women – and fathered several illegitimate children, including (persistent rumor had it) one by his own half-sister.

Yet for all this, he wrote exquisite poetry, treasured both in his own time and still treasured today.

Byron’s poetry took Regency society by storm in 1812, when he published the beginning of “Childe Harold’s Pilgrimage”, a poem inspired by his own recent European travels. He went on to write “Don Juan”, and many other verses, though the most famous today is the song that begins:

“She walks in beauty, like the night

Of cloudless climes and starry skies;

And all that’s best of dark and bright

Meet in her aspect and her eyes” .

Byron died young, at age 36, one of the most celebrated and controversial artists of the Regency – or any – period.

-Jessica Snell 

 

Previous Poets of the Regency posts:

William Wordsworth

Samuel Taylor Coleridge 

Originally posted 2012-10-19 10:00:00.

The Art of the Silhouette

This silhouette of Jane Austen is attributed to a silhouette-maker, Mrs. Collins, who worked in Bath around 1800.

It’s hard to imagine not having photography to capture the moments of our everyday lives. Weddings, important events, vacations – these are all moments that we capture digitally or on film to enjoy for years to come.

Even though photography had not yet been invented, it was common practice during the Regency to have a likeness or portrait made of a loved one.  But oil paintings were expensive and took many sittings to complete.  Even watercolor paintings and high quality sketches took skill, time, and money.  For those who did not have the extra funds to spend on such luxuries, a silhouette was a viable alternative to capture a person’s likeness.

 

In simplest terms, a silhouette is the art of casting a shadow of one’s profile onto a sheet of paper and either cutting out or blackening the image.  Originally, this art form was known as creating a profile miniature or shade. The term “silhouette” is credited to the Frenchman Eteinne de Silhouette (1709-1797).   Silhouette, a finance minister to Louis XV, did not invent the art form, but his skill for cutting profiles earned him notoriety.  Additionally, his frugal tendencies made the term “silhouette” synonymous with this inexpensive hobby.

Many people are most familiar with silhouettes that have been cut from black paper, but there were actually several different techniques one could use to create a silhouette.  The most popular technique was to place a candle near a person’s profile and cast a shadow on paper. Then the shadow was traced and then either cut out with sharp, tiny scissors or and darkened with charcoal or lampblack.  Yet another technique was the “hollow cut silhouette”, in which the profiled image was cut from the paper and black material (silk, paper, etc.) was placed behind the empty space to reveal the image. Another more detailed technique was the painted silhouette, in which the artist would either trace or create the profile with oil paint or watercolours.

This silhouette of Robert Burns was created by John Wiers in 1787.

Because it was an inexpensive, easy, and relatively quick process, creating silhouettes became a popular party activity.   In fact, George III was fond of making silhouettes and threw elaborate “shade” parties.  Most cities – especially larger resort towns – had silhouette artists for hire.  One of the most-well known silhouette artists during the Regency was John Miers (1756-1821).  The majority of his career took place in London where, in his early years, he charged a guinea per silhouette. He was noted for his incredible speed and his infamous “three-minute sittings.” He, along with other professional silhouette artists, expanded the art form and created silhouettes on plaster, ivory, wax and glass. The most desirable silhouettes were drawn by hand (not traced) and often found their way onto jewelry and other valuable items.

If you would like to read more on this topic, be sure to check out this article by Linore Burkhard, a Regency Reflections blog contributor:  Rise of the Silhouette

Originally posted 2012-10-17 05:00:00.

A Flight of Fancy Quiz and Contest Results

We enjoyed hosting our Regency quiz last week to celebrate the release of A Flight of Fancy by Laurie Alice Eakes. I’ve got a gift basket winner picked and ready to announce, but first, lets review the answers to those five pesky quiz questions!

1. A Flight of Fancy is set in 1812. During what years did the Regency take place?

A: 1790-1820

B: 1800-1830

C: 1811-1830

D: 1811-1820

D is the correct answer. Parliament approved the Regency that year and it lasted until the Prince of Wales, the Regent, became king in 1820. Briefly, in 1811, the king rallied, but not for long enough to revoke the Regency.

Often books are labeled as Regencies any time from the French Revolution until the end of George IV’s reign in 1830. This is partly because of Napoleon’s influence over much of this time period, and partly because no one knows what else to call it. It is Georgian. The Regency is a subcategory of Georgian England, which began in 1714 with George I becoming the first Hanover on the throne.

(The Hanovers are still on the throne, but they changed their name from the German to the English Windsor during World War I.)

2. How did aeronauts steer a balloon?

A: They used sails.

B: They used paddles.

C: They used wind currents.

D: They used the balloon itself.

I was please to see how many got this right, which means you all are knowledgeable about nineteenth century ballooning. C is, of course, the answer to both. Balloonists’ only way to steer a balloon is through wind currents, raising and lowering the elevation of the balloon through more or less hot air, until the wind is going the right way. This is inefficient and not always successful.

3. Which of the following was not used to make hydrogen for the balloon.

A: Fire

B: Acid

C: Wax

D: Iron

Wax was used to coat the canvas tubing from the beaker of acid to the balloon to keep the hydrogen from leaking out.

4. In A Flight of Fancy, Cassandra Bainbridge is the oldest unmarried daughter of a baron. How should she be addressed?

A: Lady Cassandra

B: Lady Bainbridge

C: Miss Cassandra

D: Miss Bainbridge

Forms of address in England were and are some of the most complex details in writing an English-set historical. The answer is D—Miss Bainbridge.

As the daughter of a baron, she is not entitled to the “Lady” form of address. She is a lady because of her birth, but not a Lady, as her birth is not quite high enough. She would have to be the daughter of an earl, marquess, or duke to be addressed as Lady Cassandra. No single lady was addressed Lady Surname unless she held a title in her own right, which was extremely rare.

As the eldest unmarried daughter, she is Miss Bainbridge. Kudos to the reference from Jane Austen. In the third book, Miss Honore will become Miss Bainbridge.

5. Geoffrey Giles, Earl of Whittaker, is the hero in A Flight of Fancy. How should he be addressed?

A: Lord Geoffrey

B: Lord Giles

C: Lord Earl

D: Lord Whittaker

This one was easy. Yes, Lord Whittaker. Men of the peerage were addressed by their title. Believe me, though, I have read these other choices in books, along with calling an earl Sir Title or Sir firstname, as though titles were interchangeable. They were not.

And the gift basket winner is . . .

Jan Bolton!

Congratulations to Jan, who answered correctly on last Wednesday’s post about how Cassandra would have been addressed as the eldest unmarried daughter of a baron.

From the bloggers here at Regency Reflections, we want to offer everyone who participated in our A Flight of Fancy week and Regency quiz a heartfelt thank you. We hope you enjoyed the things we featured during our A Flight of Fancy week as much as we enjoyed interacting with every one of you.

Originally posted 2012-10-15 10:00:00.

Spiritual Themes from A Flight of Fancy

Hi Everyone!

Naomi here, and it’s our last day talking about A Flight of Fancy, by Regency Reflections blog contributor, Laurie Alice Eakes. If you’re stopping by the blog for the first time this week, you’ll want to check out our previous three posts. We’ve had an Introduction to A Flight of Fancy, then Taking to the Sky (a post on Ballooning during the Regency Era), and an Interview with Laurie Alice Eakes. At the end of each post, there’s a Regency quiz question. For every question you answer correctly in the comment section, your name will be entered in a chance to win a Regency gift basket, complete with tea, biscuits, a mug, and an Amazon gift card. The contest ends this Saturday, October 13, at midnight.

Over the past week, we’ve introduced several different aspects about A Flight of Fancy and Laurie Alice Eakes. Today, as we conclude our discussion, I’m going to touch on the spiritual themes in the novel.

Both Cassandra and Whittaker have a rather physical past relationship. As two Christians accountable to God, and as two individuals living in the Regency Era, any physical relations before marriage are clearly wrong. However, Cassandra and Whittaker push limits in this area time and time again.

In the first chapter of the story, Cassandra and Whittaker test their physical relationship yet again (this aspect of the story is presented in a tactful manner). As a result, Cassandra ends up severely injured, so much so that she nearly dies. Once she recovers physically, she’s still left with permanent, visible scars, and she doesn’t feel fit to ever marry.

Cassandra thus calls off their engagement. Though she and Whittaker still have deep feelings for one another, they both suffer a terrible amount of guilt throughout the course of the novel. The guilt haunts them and clings to them, almost like a sticky tar neither can wash from their skin.

Both Cassandra and Whittaker need to turn to God, confess their sin, and accept His forgiveness. But they struggle. After all, it’s very hard to accept forgiveness from God (or even another person) when one refuses to forgive himself or herself.

I personally found this story a refreshing reminder of how strong God’s forgiveness is. Psalm 103:11-12 says, “For as the heaven is high above the earth, so great is his mercy toward them that fear him. As far as the east is from the west, so far hath he removed our transgressions from us.”

Sometimes in our desire to serve and please God, it’s easy to become stuck on our past mistakes and sins rather than to leave them at the feet of Christ. As we dwell on those sins, we become discouraged and even distracted from serving God.

The solution? Don’t wallow in past sin. Accept God’s forgiveness and focus on making future choices that honor God.

How are you coping with past sin in your personal life? Are you confessing it to God and leaving it with Him, or are you carrying it around like an unseen burden on your back?

Today’s Question (remember one correct answer will enter your name into the gift basket drawing):

Geoffrey Giles, Earl of Whittaker, is the hero in A Flight of Fancy. How should he be addressed?

A: Lord Geoffrey

B: Lord Giles

C: Lord Earl

D: Lord Whittaker

Thank you to everyone who participated in our Regency Quiz over the past week. We’ll be announcing the winner, as well as discussing the answers to the question, on Monday, October 15th.

This contest is now closed. Please see the final post for answers to the trivia questions. 

Originally posted 2012-10-12 10:00:00.

Taking to the Sky

To celebrate A Flight of Fancy, we’re running a special week-long contest. Starting October 5, 2012, through next Friday, October 12, we’ll feature Regency quiz questions at the end of each post. To enter the contest, you’ll need to correctly answer the questions in the comment section below. For every correct answer, your name will be added into the drawing for a Regency Food and Frolic gift basket. There will be five questions in all, which means your name can be entered up to five times (if you get all five questions right). The deadline to answer ALL CONTEST QUESTIONS will be Saturday, October 13 at midnight.

Photo on Scenic Reflections

A Flight of Fancy has a heroine who would be considered a nerd nowadays. For fun, she reads Greek and Hebrew, translates ancient documents into English, and executes mathematics. She regrets not being able to go to university, but since she cannot, she determines to make her mark on the world through creating a balloon one can steer.

Balloons could not be steered except per the caprices of the wind currents. These change at various heights of the atmosphere, so a balloonist had to raise and lower the gas—hydrogen—level in the balloon to affect their direction. Sometimes it worked and sometimes it did not. Usually it did not. Sails and paddles were employed in an attempt to create steerage to greater or lesser success—mostly lesser.

Considering one had to go aloft with live fire to create the hydrogen, and the car or basket was not all that large, limiting the quantity of fuel, long journeys in a balloon without touching down were simply not possible. Decades later, Jules Verne’s book, Around the World in 80 Days, was considered fantasy. It was the science fiction of its day. (He is, of course, the founder of steam punk, a steam punk author told me.) But I digress.

How grand getting from London to Lisbon, sailing over the heads of the French enemy, sailing high enough to be out of range of their guns, would be! Much safer from the enemy than taking a ship.

Unfortunately, steering was the first problem with long-range travel, and having enough fuel to keep gas in the balloon was another problem.

It doesn’t mean people did not attempt, and come close, to sailing long distances. Sophie Blanchard, a famous French balloonist, sailed across the Alps. No problem. Balloons could go extremely high; therefore, getting over the mountains was not a problem for her. She was also not sailing over enemy territory, being French.

During the Regency, Mr. Sattler decided to fly from Ireland, across the Irish Sea, and to England. He did so with great success. Several times, he had to raise and lower his level to catch favorable currents, but the coast of Cumberland drew into his sites.

So he decided to go down to Liverpool, and that’s when he ran into trouble. He caught a strong current. The waxed canvas tubing that carried the hydrogen from the beaker of acid and iron shavings, to the balloon, began to tear away from the balloon, causing him to lose altitude at an alarming rate.

Mind you, he reports that he was around three miles in the sky. Plunging from that height would have been rather frightening, not to say deadly.

With great risk to life and limb, he managed to affect repairs while poised above a live fire and that beaker of acid and iron shavings to make the hydrogen. I won’t say how because I use this incident for the basis of an important scene in A Flight of Fancy.

Mr. Sattler ended up in the sea near Liverpool. A flock of sea birds attacked him for the food he had carried with him, and several ships sailed past him. Eventually, as night fell, a naval vessel stopped and picked him up.

That Lord Whittaker is against Cassandra going aloft in a balloon makes a great deal of sense. Men and women, including Sophie Blanchard, died because of their fascination with taking to the sky in a balloon. Cassandra, however, is like thousands of men and women throughout history, who risked their fortunes and their lives to bring us new inventions and scientific discoveries—she will not let the danger stop her from trying to improve balloon flight and make it a practical form of transportation.

For more details on how balloonists made hydrogen and why they went aloft with a live fire, read my article at: http://englishhistoryauthors.blogspot.com/

Today’s questions:

1: How did aeronauts steer a balloon?

A: They used sails.

B: They used paddles.

C: They used wind currents.

D: They used the balloon itself.

 2: Which of the following was not used to make hydrogen for the balloon.

A: Fire

B: Acid

C: Wax

D: Iron

This contest is now closed. Please see the final post for answers to the trivia questions. 

Originally posted 2012-10-08 06:00:00.

A Flight of Fancy: a Regency Novel by Laurie Alice Eakes

I’m excited to introduce a new Regency novel today. It’s entitled A Flight of Fancy and written by Regency Reflection’s own Laurie Alice Eakes.

To celebrate A Flight of Fancy, we’re running a special week-long contest. Starting today through next Friday, October 12, we’ll feature Regency quiz questions at the end of each post. To enter the contest, you’ll need to correctly answer the questions in the comment section below. For every correct answer, your name will be added into the drawing for a Regency Food and Frolic gift basket. There will be five questions in all, which means your name can be entered up to five times (if you get all five questions right). The deadline to answer ALL CONTEST QUESTIONS will be Saturday, October 13 at midnight.

The gift basket will include:

A small Starbucks mug

A box of Earl Grey tea

A package of Pepperidge Farm Cookies (biscuits)

A $10.00 Amazon gift card

Before we get to today’s quiz question, let me tell you about the story, and why I’m enjoying reading it so much.

Cassandra Bainbridge may be a bit of a bluestocking, but when Geoffrey Giles is near, love seems a fine alternative to passion for Greek and the physics of flight. With his dashing good looks and undying devotion to her, the earl of Whittaker sets Cassandra’s heart racing with his very presence. It seems his only flaw is his distaste for ballooning, the obsession that consumes so much of her thoughts.

When a terrible accident compels her to end her betrothal, Cassandra heads for the country to recover from both her injuries and her broken heart. With time on her hands and good friends to help her, she pursues her love for ballooning and envisions a future for herself as a daring aeronaut. But when Lord Whittaker slips back into her life, will she have to choose between him and her dream?

A Flight of Fancy has generated critical acclaim from places such as the Romantic Times, which said: ” Eakes has a charming way of making her novels come to life without being over the top. The second Daughters of Bainbridge House story has romance, mystery, suspense and characters who transcend the stereotype of stiff English formality.”

One of the things I personally love about this story is how Whittaker finds himself torn between love and duty. He struggles with handling both things at once, and that same struggle reaches out and touches every person on the planet at one time or another. And of course, the suspense element is riveting, keeping the reader constantly guessing at what will happen next, who’s toying with Whittaker and Cassandra, and why.

I genuinely hope others enjoy this book as much as I do.

Today’s question: A Flight of Fancy is set in 1812. During what years did the Regency take place?

A: 1790-1820

B: 1800-1830

C: 1811-1830

D: 1811-1820

Remember to leave your answer in the comment section below. And come back Monday for Laurie Alice Eakes’s post on ballooning during the Regency, plus two more quiz questions.

This contest is now closed. Please see the final post for answers to the trivia questions. 

Originally posted 2012-10-05 01:00:44.

Too Full for God

Vanessa here,

Do you have room in your heart for anything else?  A new job to help with the bills, a fundraiser to feed the starving children, a sale at your favorite crowded shoe store.

Have you stacked your life with carpooling, lil’ Ellen’s ballet classes, and you’re-the-only-one-who-can ministry work, making a buck, oh and quality hubby time between 7:00 and 10:00 on Saturdays, that you’ve lost the meaning of having quality devotion?

I have.

This year seemed to be one in which many things had finally come to fruition: My novel, Madeline’s Protector is being published. My hubby stopped being deployed, at least for a little while. My firm just signed its biggest client.

Then reality came a knocking.

Revisions and more revisions to my master piece. (All the edits, including cuts were for the best.) So, now hubby wants me to go to bed at a decent hour. Doesn’t he know inspiration hits at 1:00 A.M. My client believes that they should be my only obligation. It get’s better. Their offices are an hour from my home, and they want this homeschooling principle partner to be onsite early in the morning, three days each week. I won’t mention their lack of understanding of how long something takes to develop and deploy software.

So I adjusted, code for reducing my devotion time and being less present with my family.  Surely, they won’t mind. I began dropping off/out of my net circles. There was no time to twitter or follow cherished loop threads. Thus, when I needed spiritual refreshment, I pushed away from God and those needed friends offering words of encouragement.

Yet, as I seek to get handle on this new normal, tragedy strikes. My younger brother is prepped for open heart surgery in Florida. He lives in Georgia near the rest of the immediate kin. He just visited a client when he started experiencing chest pains. With a torn Aorta, the odds of his survival were less than 25%. The doctor told him without the surgery, he’d die in less than two days.

All the cards of my life fell off the table. My hands trembled, and I choked backed tears as I tried to convince our mother that everything was going to be fine. I don’t remember what I said or did next, except speeding away from my ‘not-understanding’ client. I have flashes of begging Delta to let me an oversold flight to be at his side when he comes out of the five hour surgery.

While I waited for positive signs of recovery, him waking up, etc., I slept on a hospital couch. My 16th anniversary passed with just phone calls. My child’s upcoming birthday party went unplanned. Nonetheless, my client learned to survive. My book galley edits… Well, I’m thankful for the editing team.

The only positive, other than seeing Marc open his eyes and squeeze my hand, was finding time to increase my prayer time. After crying out to God  for days on end, I regained that sense of connection. I never felt His arms about me more.

Why must it take near tragedy to begin to re-prioritize? I know that others have even more on their plates. I can’t imagine the depths of the burdens each of you have weighing on your lives, the important demands nipping at your heels.  All I know, is that you must run and fall at His feet, collapse your weight into God’s warm embrace.

Sleeping in the meat-locker cold air in the hospital, sniffing the wonderful bleach-laced alcohol scents in the air, gave me the opportunity to see my life, how much I’d isolated myself from friends and family with the myriad of pursuits I’d packed into my life.

First, I must apologize to my friends and family. I’ve been on the edges of your lives, only dipping my head and nodding to appear as if I’m present and involved. Every second that we breathe is precious. Every moment has worth, not just the accolades or project deliverables.

I repent for all “my busy time.”  God made us to enjoy a Sabbath, every seven days.  I’ve made it into a seven-day work week. How can I give my best to my clients or to hubby and my lil’ girl, if my batteries are never recharged?

I need to say no. You can’t serve two masters or promise to deliver something that is not humanly possible.We all want to be the good guy, the go-to girl. I am going to have to find joy in slacking. Miss Eager Beaver is now going to be, Mrs. let-me-check-my calendar. It won’t be easy. Maybe there’s a 12 step program for saying no.

Lastly, no matter how “important” some deadlines or tasks seem, it will never be more important than finding time to commune with the Lord. He is the lifter of my head when all seems lost. He is the city on hill giving guidance to those stuck in the valley. I don’t ever want to have my heart so full, that I push God and dependence upon him out of the ventricles.

My brother is now recovering at home in Georgia. He’s a walking miracle. God has used this circumstance for all our good.

Be blessed and say no to all but God.

 

 

Originally posted 2012-10-03 10:00:00.

Interview with Regency Romance Author Abby Gaines

Naomi Rawlings here today, and I’ve got a special guest to introduce: Abby Gaines, author of the newly released novel The Governess and Mr. Granville. I’m especially excited to host Abby here today, because she writes for the same publisher that I write for, Love Inspired Historical.

Abby has graciously agreed to giveaway one copy of her novel to someone who reads the interview and then leaves a comment below. The contest will end Saturday at midnight and is open only to U.S. residents. Here’s a bit about Abby:

I handwrote my first romance novel at age 17. Disillusioned by my first rejection, I gave it up for about 20 years! Obviously I developed a thicker skin over that time, because when I started again, I weathered numerous rejections before selling my first book to Harlequin Superromance in 2006. Since then, I’ve written 20 books across Harlequin’s Superromance, NASCAR and Love Inspired Historical lines.

1.    What drew you to write during the Regency Time Period?
Like many others, I fell in love with the Regency through the works of Georgette Heyer and Jane Austen. Although men and women had very different, clearly defined roles, when it came to clever, witty dialogue, they could be equals, and each could use the strengths of their gender to befuddle the other!

2.    Tell us what year your book is set in and why you chose that particular time.  
It’s set in 1816. Not for any particularly good reason – when I wrote my first Regency, I found a picture of a young woman who looked just how I imagined my heroine, and it was dated 1816. Since then, that time period has turned out be quite interesting. It was after the wars with Napoleon, and in a time where some well-known artists and writers, like Turner and Keats, were coming into their own. Not to mention new inventions coming out. Those things provide interesting background and sometimes drive the story in a new direction.

3.    What’s your favorite, unique Regency aspect of the novel, something you wouldn’t be able to include in a novel set in another place or time?
My heroine has a secret engagement in her past. When I first started writing the book, I knew that was a scandalous thing, but I didn’t understand why. In my research, I discovered how financially risky that would have been for her if the match had gone ahead, and how it would have damaged public perception of her beloved father. Her guilt over that past event isn’t just about breaking a convention – she could have lost everything.

4.    What are the biggest challenges to writing in the Regency Period?
No challenges with the period itself, but the need to check just about every word’s date of origin and early meaning in the Oxford English Dictionary is time-consuming!

5.    Who is your favorite Regency Author?
Georgette Heyer. And right now, Sylvester is my favorite book of hers.

6.    What is your favorite Regency Food, aspect of dress, and/or expression?
Those muslin dresses are hard to beat! So flattering to both the bust and the waist – bring back the empire-line dress!

7.    What is your favorite Regency setting; e.g., London, country house, small village?
I prefer London settings as a reader and a writer. Partly because I know London well, having lived there for several years, and it’s such a buzz seeing familiar streets and landmarks transported back in time. But also the dynamism of the city appeals. I do like Bath settings, too.

8. What makes your hero and heroine uniquely Regency?
She’s a governess and a parson’s daughter – impoverished but of noble lineage. That puts her in a difficult situation with regard to finding a husband. He’s a traditional dad, trying to do his best for his family, convinced he can marry without love and have it all work out fine. Naturally, he learns otherwise!

9. Tell us more about your novel.Dominic Granville needs a wife—whether he wants one or not! And governess Serena Somerton intends to find one for him. A marriage of convenience would provide the wealthy widower’s five children with a mother’s tender care. And yet none of Dominic’s prospective brides can meet Serena’s increasingly high standards.

Dominic can’t imagine why his sister hired such an unconventional, outspoken governess. Yet Miss Somerton’s quirks can’t curb his growing interest in this spirited young woman. His imperfect governess could be his ideal wife…

*****

Thanks so much for interviewing with us today, Abby. It’s always fun to see what draws various authors to the Regency Period. And can I admit that any and every European set governess story always reminds me of the Sound of Music? For those of you interested in the giveaway, please remember to leave a comment below. And if you’re interested in learning more about Abby and her other novels, please visit www.abbygaines.com.

 

Originally posted 2012-09-26 01:00:00.

Mary Wollenstonecraft: Education for Women

Woman Reading

Though she died just before the Regency began, Mary Wollenstonecraft (mother of Frankenstein author Mary Shelley) had an enormous impact on Regency ideas about the education of women.

The Original Feminist

In her ground-breaking book, A Vindication of the Rights of WomanWollenstonecraft made the first strong and popular argument for women’s education. Though she’s considered one of the mothers of feminism, Wollenstonecraft’s feminism was very different from the feminism that makes headlines today. Instead of arguing for the right of woman to be just as raunchy as the guys, Wollenstonecraft was concerned  with women’s virtue: she argued that it was impossible for women to make wise  decisions if they’d never been taught how to think.

You couldn’t, Wollenstonecraft argued, raise a girl to only think about her looks, to only be concerned about snaring a husband, and then expect her to be smart enough to run a household or good enough to raise well-behaved children. If you wanted her to be fit to do her duties, you had to educate her.

Also, Wollenstonecraft argued, women were created as suitable mates for men, which meant they were of the same species – as Dorothy Sayers would later put it, women are human – and so what was good for men was good for women. God didn’t expect wisdom and virtue from men and silliness from women. If education gave men the tools they needed to be virtuous, education could give women those same advantages.

Controversy

Wollenstonecraft’s ideas weren’t completely accepted in her own day – they aren’t even now – but by stating her case so clearly and so well, she started a conversation that lasted all the way through the Regency and beyond. The “bluestockings” of the Regency – the bookish women – were Wollenstonecraft’s intellectual heiresses.

If you’re reading this today and you’re a woman who loves books, if you’re a woman who enjoyed a high-school and even a college education, Mary Wollenstonecraft is one of the brave pioneers you have to thank.

Peace of Christ to you,

Jessica Snell

 

Originally posted 2012-09-24 10:00:00.